Skip to main content

Research Into The Development of Editing Technology

 Research Into The Development of Editing Technology

Early Editing

Editing in film serves many purposes in the modern era, it helps tell a story, it creates a mood or atmosphere which overall lead to the success of a film or video. In the early years, short films use to be one long, static shot. There was no use of editing, the film ran as long as there was film in the camera. The very early filmmakers were wary of editing film shots together as they believed that joining different shots of different things using different angles and positions would confuse an audience. The earliest films which used some form of editing where created in the 1900s. A great milestone in editing technology can be seen in the film "The Great Train Robbery" which was written, directed and produced by Edwin S. Porter. It was a 12 minute Western film which used a number of innovative editing techniques such as cross-cutting, double exposure composite editing, camera movement and on location shooting. 

The most famous individuals to experiment with film include Griffiths, Eisenstein and Kuleshov. D. W. Griffiths was considered the father of narrative cinema; Griffiths invented techniques such as parallel editing pushing his productions to great levels of complexity. Griffiths productions was highly regarded by soviet filmmakers such as Kuleshov and greatly influenced their understanding of editing. .The film "For the love of God" by D.W.Griffiths was the first film that demonstrated the use of a continuity cut; The filmmaker found that through the use of editing he was able to reflect emotion rather than just relying on the emotion reflected through the characters. 

Moviola

The Moviola is a device created by Iwan Serrurier in 1924 that allowed film editors to view each individual shot whilst editing in order to determine more precisely where the best cut point may be. The Moviola was a standard editing device in the USA up until the 1970s when they was replaced by the horizontal flatbed editing systems came into use. Originally, the devices where marketed as a home movie projector however, it was too expensive for household use therefore, it was later developed into an editing machine. Although they are fairly old machines, they are still used in some very popular productions such as Munich by Steven Spielberg which was edited by Michael Kahn (Hawks).

FirstMoviola.jpg 

Flatbed Editing Suites

A flatbed editing suite is a type of editing machine used in motion picture where images and sound rolls are loaded onto separate plates. Each set of plates is able to move individually, or they can be locked in order to synchronise the images to the sound. A prism reflects the images onto a screen, and a magnetic playback head reads the audio track. Most films were shot on a double-system, this is where the sound and picture are recorded on separate machines. The sound is then transferred to a magnetic track. The editor must then synchronise the picture and sound. The rolls are loaded onto the plates and the film and sound is advanced to find when the clapperboard came together. Once both have been located, a mark is more on both of the strips and the flatbed is switch into interlock mode, so both picture and sound rolls move at the same pace to keep them synchronised. When the editor sees a point to cut one shot away to another, he marks it on both strips and makes a cut in both and adds in the next shot. Steenbeck and K-E-M (Keller-Elektro-Mechanik) are the two leading brands of flatbed editors, both were invented in Germany in the 1930s. European flatbeds came into common use in the 1970s however, they never completely replaced the Moviolas. By the mid 1990s were rapidly being replaced by computer based non-linear systems such as Avid and Lightworks (Morrow).
Steenbeck - Wikipedia

Linear and Non-Linear Editing

Linear video editing is the process were scenes are copied from one video tape to another using two tape VCRs in the order required. The new tape is thus created in a linear fashion. One disadvantage of this editing technique is that it isn't possible to insert of delete scenes from the new tape without re-copying all the following scenes. Linear editing was the method originally used with analogue video tapes. 

Non-Linear video editing is created by loading the film content into a computer from an analogue or digital tape. The editing process creates a new tape by storing all the commands entered by the operator. This method allows the operator to cut, copy and paste scenes in any order and make any changes desired. At the completion of the post-production process the computer can then build a new file by applying the commands to the original digital image stored on the disk. The original digital image on the disk is unchanged. The new video file can then be outputted to a video tape, attached to an email or posted to the web (Winokur).

Online and Offline Editing

Offline editing is a draft cut of a project by editing low quality footage together, this is done so that the main editor and possibly the director can get an idea of what the final cut may look like. Another role for an offline editor is to create an edit decision list which is similar to a log sheet. EDLs are important as they help the main editors to follow along and make changes as they watch the rough cut.

Online editing is a final cut of the project by editing a high quality film together. Online editors creste the final cut based upon the EDL and the rough cut created by the offline editors. Online editing is produce after offline editing as offline is a cheaper alternative which allows you to visualise your idea first before you put money and time into it (Winokur).

The Digital Era

CMX-600 was the first Non-Linear Editing system introduced in 1971 by CMX Systems; the device was referred to as RAVE, or Random Access Video Editor. The CMX-600 was a console with two black and white monitors as well as a pen which was used to control the system. One monitor would show the preview video, the editor would use the light pen to select options, which were over-laid on the image, the left screen would play the edited footage. 
One of the first digital editors was the CMX 600... | Sutori
Edit Droid is a computerised analogue NLE system which was developed by Lucasfilm. It existed through the mid 80s to early 90s. Edit Droid has three screens, one Sun-1 display used as the graphical UI for the product, one small preview video monitor and a large rear projected monitor which showed the cut (Klingeren).
EditDroid - from the dawn of NLEs
Avid 1 was based on an Apple Macintosh II computer with unique hardware and software designed by Avid. By the early 1990s Avid 1 began rendering systems such as the Moviola or the Flatbed obsolete by making editing easier and more efficient. The first film edited using the Avid 1 was "Let's Kill All the Lawyers directed by Ron Senkowski in 1992. Over the years Avid had a growing popularity within the film industry however, it was soon replaced by modern editing technology such as Premier Pro (Roos).  

1989 - The Original Avid/1 Demonstration Video - YouTube

Modern Editing Platforms

Premiere Pro is a widely used software application for video editing on macOS or Windows computers. Premiere Pro is used for video editing, commercials and other film, television and online videos. Premiere Pro started as simply Premiere in 1991, the software was developed for the Mac operating system. It was one of the first computer-based non-linear editing systems. The name premiere Pro was introduced in 2003 and has been used for all the later versions. The software can be used to import video, audio and graphics, and is used to create edited versions of film which can be exported to the medium and format necessary for distribution. Premiere Pro is used by video production firms, news stations, marketing professional and design firms; it is the leading editing software in our generation (Smith).
Professional video editor | Adobe Premiere Pro
Final cut is a series of non-linear video editing software developed by Macromedia Inc. and later by Apple, the most recent version runs on Mac Os computers. The software allows the editor to transfer video onto a hard drive to be edited, processed and rendered to a range of formats (Buck).
Final Cut Pro | Updates, Features, PricesApple Final Cut Pro X Review | PCMag

References

Smith, C., 2019. What is Premier Pro (Online)
Available at:https://www.agitraining.com/adobe/premiere-pro/classes/what-is-premiere-pro#:~:text=The%20History%20of%20Premiere%20Pro,used%20for%20all%20subsequent%20version
Buck, J., Ingraham, N., 2011. The History of Final Cut Pro and iMovie detailed in Timeline (Online)
Available at: https://www.theverge.com/2011/11/9/2549556/final-cut-pro-imovie-history-timeline 
Klingeren, T.V., 2016. EditDroid: Rise an Fall (Online)
Available at: https://www.youtube.com/watch?v=z99wO2utddo
Roos, D., Avid Editing Machine (Online)
Available at: https://entertainment.howstuffworks.com/avid-editing-machine.htm
Winokur, M., Holsinger, B., 2001 A Brief History of Editing (Online)
Available at: https://www.infoplease.com/culture-entertainment/film/movies-and-film-fade-brief-history-editing 
Hawks, Moviola Machine Used By Film Editors (Online)
Available at: https://collection.sciencemuseumgroup.org.uk/objects/co417283/moviola-machine-used-by-film-editors-film-editor
Morrow, J., 2017. Editing on a Flatbed (Online)
Available at: https://nofilmschool.com/2017/06/editing-on-a-flatbed

Comments

Popular posts from this blog

Scheduling

 Gannt Chart  I have created a Gannt chart in order to plan out my the production/planning/editing/evaluating of the production. I have made sure to space everything out and give myself realistic timescales to finish each and every task. The tasks have been split into different sections in order to keep it organised and to show a better visual representation of which tasks should be started first. The first section is planning, I have put this first as you must plan a video before you can produce it, the planning section contains all the tasks which I believe relate to planning for example, analysing music videos, researching music videos theories, analysing the song I want to produce and create all relevant documents such as storyboards. The next section is productions, the sections contains all actions I must take in relation to shooting the video for example, finding equipment, actors and props needed, shooting the video, watching footage back and shooting more footage if necessary.

Evidence for Editing Unit

 Logging Footage Efficiently  Evidence from Film Production Unit Evidence from Contextual Studies Unit Evidence from Music Video Unit Labelling Clips, Bin, Footage and Audio Material  Evidence of Labelling in Music Video Unit Evidence of Labelling in Contextual Studies Unit Evidence of Edited Productions Music Video Production Film Studies Production Contextual Studies 4 Hour Film Challenge 4 Hour Film Challenge Examples of Cinematic Techniques There are other examples of evidence of myself using editing within my videos however, I believe these are the main examples the rest are just used to demonstrate practical skills (Camera settings, lighting setups, different lens effects etc.)   Justifying Editing Choices and Critiquing Editing and Evaluating Evidence from Music Video Unit Evidence from 4 Hour Film Challenge - Obsession Evidence from Contextual Studies

Editing My Music Video Together

 Throughout the editing process of the music video I have kept a log detailing the different editing techniques I have implemented throughout the music video. This log references what I have done and where, why I have used the specific editing technique, what issues I found whilst editing the footage together and finally how I believed I could have improved upon.  Jump Cut When the lyrics "when you've had a few" plays a jump cut is used in which bottles appear to help illustrate the lyrics for the audience whilst adding some comedic effect by amplifying the idea of drinking by exaggerating how much alcohol the character has drank. I believe the jump cut works well here and links to Vernallis' theory on music videos in which she suggests conventionally jump cuts are used in videos as a short way of transferring information to the audience in a fashion which is both engaging and clear.  Cutting With The Lyrics Throughout the video I have made sure the frames in the vide